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哈尔滨
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<p>  讲述1909年在远离祖国的哈尔滨为夺回即将落入日本帝国之手的祖国而拼命的独立斗士们的故事。<br/>  玄彬将饰演大韩义军参谋中将安重根一角,朴正民饰演比起留下的名字,更先考虑国家的独立斗士禹德顺一角,赵祐镇将饰演与安重根(玄彬 饰)一起为找回失去的祖国 而努力的独立斗士金尚贤一角,全余赟将饰演独立军孔夫人,刘在明将饰演安重根义士的助手崔在亨,朴勋将饰演日本帝国..
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杰西
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不想和你有遗憾
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<p>如果当初再勇敢一点,我们的结局会不会不一样?康赛(丞磊饰)与活泼开朗的小西(索微饰)一起长大,他偷偷把小西当成了自己创作的灵感缪斯。为写诗康赛跋山涉水,小西也随后寻来,两个人在美丽的阿尔山找到了自己的精神乐园。在环境的改变下,两个人的爱情也面临多方考验。都说相爱可迎万难,但是爱真能赢万难吗,或是真的赢得了对方?</p>
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特警荣耀
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《荣耀六十年》剧情介绍

艾薛影视提供影视作品荣耀六十年高清全集在线观看的影视全集网,纪录片《荣耀六十年》全集作品的导演是Herbert  Wilcox   ,由Anna Neagle  Anton Walbrook  C. Aubrey Smith  Walter Rilla  主演,荣耀六十年在豆瓣的评分为0.0,本片由小编于2025-02-20 17:41更新,希望大家喜欢,可以把《荣耀六十年》推荐给你朋友,本作品的地址为 https://aixuebb.com/movie/index67623.html

《荣耀六十年》简介:<p>  Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as &#39;Regal Neagle&#39;). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the &#39;Irish problem&#39;) are omitted and unpleasant aspects of Victoria&#39;s character (her petulance, arrogance, favouritism and &#39;right to privilege&#39;) are glossed over as endearing little &#39;whims&#39;. Albert acts as a moderating influence when she goes too far.<br/>  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda&#39;s empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).<br/>  The title music sets the tone: a regal choir sings over a shot of the crown. Elgar&#39;s 1901 &#39;Pomp and Circumstance&#39; march is heard during the diamond jubilee celebrations and, as Victoria&#39;s coffin lies in state, the film concludes with Anthony Collins&#39; stately music accompanied by the text of Rudyard Kipling&#39;s &#39;Lest we forget&#39;. Combined with the emotional appeal of scenes of Victoria connecting with her &#39;ordinary folk&#39;, this is stirring stuff.<br/>  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII&#39;s abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed &#39;the grandmother of Europe&#39;, while Albert is a &#39;good German&#39;, charmingly played by Anton Walbrook as a cultured, decent man.<br/>  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria&#39;s reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very &#39;Victorian&#39;.<br/>  Roger Philip Mellor</p>

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